We had the opportunity to sit down with the talented DJ and music Producer, Hotboxx. Having recently released ‘Disco Daniel,’ a dynamic Tech House track in collaboration with Unkwnet, we were joined by Hotboxx, who takes us behind the scenes of the track’s creation, sharing insights into his creative process and the unique elements that make ‘Disco Daniel’ an exciting addition to his discography.

Hello Hotboxx, how are you doing today?

I am doing well thank you for asking and thanks for having me on.

Congrats on the release of “Disco Daniel”! Can you walk us through the inspiration behind the creation of this track? What sparked the idea for this energetic production?

It was a night where things where just flowing, I had already made a track on my own that I’ll be releasing soon and then Edwin (Unkwnet) got to the studio with me and we took off quickly with this one, was already on a high energy vibe, so nothing in particular sparked the idea it was just something that I was already on that vibe and he came in and kept feeding off that energy.

Listen and buy ‘Disco Daniel’ now

You’re collaborating with Unkwnet on “Disco Daniel,” how did the partnership come about? Did your collaborative dynamic influence the overall direction of the track?

Unkwnet and I have a lot of tracks together, this was just the first one to release but there are many others on the way, he’s been a good friend of mine for a while now, we grew up in the same area and have a lot of the same influences, so the partnership seemed like an easy one to say yes to.

Could you shed some light on the production techniques you used to achieve the intricate and detailed soundscape present in “Disco Daniel”?

We tried to really get creative with some of the drum fills and what not, to keep the track interesting throughout and create good energy and build ups and drops, also with almost all my tracks, I try and add background noise, something very quiet, but just add atmosphere and in this track, we definitely did that as well.

The track features a bright guitar loop that adds a unique flavor to the mix, how did you integrate this element into the production, and what effect did you hope it would have on the overall vibe?

The guitar fit well, so it didn’t really take much to integrate the element into the track, but we definitely wanted it in the track to give a melodic funky element, and to really give it that Disco type of vibe that we were going for with this production.

https://www.beatport.com/release/disco-daniel/4197487

“Disco Daniel” is a vibrant and hypnotic listening experience. How did you approach creating a sense of flow and progression throughout the track?

Thank you! I appreciate that feedback and really it flowed quickly, we made the whole track in probably about 3 hours. It really just flowed quickly and easily, and thankfully we didn’t have to put much though, into the flow and progression, it just kind of fell into place the way we wanted right off.

With a thumping bassline and pumping beats, the track creates a powerful dancefloor atmosphere. What strategies did you employ to ensure the track’s energy translated well in different settings?

I really just try and always have one main thing in mind when I am creating a track and that is will it get people dancing.  I don’t really focus on what would be the best venue or setting for the track to be played, but rather is it a track that can be played in most any venue and will it get people dancing. Those are the main strategies I use to make sure a track’s energy translates well to almost any setting, and accomplishes its main goal of making people dance because it is Dance music.

Were there any specific challenges you faced during the production process of “Disco Daniel”? How did you overcome them to achieve the final result?

As I mentioned, this track came together very quickly and flowed very easily for us, the energy was flowing well that night, so we didn’t encounter any challenges, thankfully the final result came together quickly and efficiently and didn’t require tons of obstacles or challenges to achieve.

As a DJ and Producer, how do you strike a balance between showcasing your signature style and experimenting with new sounds, like you did in this release?

I think it’s more about having a specific sound, as far as the finished product goes. I think experimenting with new sounds and making each song unique with new sounds is crucial, but I also think things need to stick to certain similar characteristics, whether it be sound or structure, so when people hear it they know it’s one of my tracks because it’s a sound or structure that’s unique to me, that’s basically my goal with any track I make.

What message or feeling do you hope listeners take away from “Disco Daniel”? How does this track fit into your overall artistic vision and future endeavors?

A Tech House meets Disco type track that can be played in almost any venue and will get people dancing and grooving. I think this track is really a combination of the two sounds I am looking to invoke with any of my new releases which is funky/groovy meets bass driven Tech vibes.

As Hotboxx continues to evolve and experiment with his sound, ‘Disco Daniel’ surely showcases his ability to craft energetic and vibrant tracks that resonate with listeners on the dancefloor. We look forward to hearing more from this talented artist as he explores new musical horizons and shares his future projects with his listeners, make sure to follow him across social media to remain updated on his latest projects and releases.

Hotboxx Online
Soundcloud | Instagram | Beatport

The post EQ Music Interview with EDM DJ and Producer Hotboxx appeared first on EQ Music Blog.

Welcome to our interview with Shawn Jackson, an accomplished DJ and Producer with a career spanning over two decades. In this conversation, we delve into Shawn’s early influences, his musical preferences, and what fuels his creative process. Join us as we gain insights into the artist behind the beats.

Hello Shawn Jackson! How are you?

Hello, I am doing great, happy to be here with you today.

Take us back to the start, what was your first introduction into Electronic Music? Who inspired the initial spark of your passion?

Well, turn back to 1995 when I stepped into music production for the first time, influenced by Florida Breaks and specifically, Josh Wink, the unique sound and the energy that track provided, got me hooked. Looking back, it’s very simplistic, but ahead of its time then.

Were there any standout live performances that you attended early on that played a major impact on you as a DJ and Producer?

Way back in those days, I was frequenting all the “raves” to experience as many artists as possible. A few standouts were The Chemical Brothers, The Orb, Daft Punk (obviously) and The Crystal Method.

What do you find makes you gravitate towards a track and is there usually a specific element of a track that you take most inspiration from?

I have always been drawn to a heavy percussion and bassline, the melody really wasn’t my focal point, a solid kick and bass sold me.

Would you say your musical influences have changed over the years? If so, how?

I would say they remain the same, however I have developed my own sound based on those influences which is a staple of the Shawn Jackson Muzik brand.

What are your favorite genres outside of Electronic Music?

This should be funny; I still like classic rock and some heavier Metallica from time to time. The complete sound which live instruments and true musicians create is impressive and satisfying.

Can you tell us your top five favorite artists of all time?

That’s easy, Carl Cox, Oscar G, Roger Sanchez, Sasha, and Danny Tenaglia.

If you had to choose three genres to listen to for the rest of your life, what would they be and why?

House, Techno and Drum & Bass for sure, love them all and have released in each genre.

Sometimes random sources can spark creativity, can you remember a moment when a sound or everyday experience unexpectedly influenced one of your productions?

When I was younger and just starting my production journey, I was always doing something involving water sports and boating. I was always drawn to the sound of moving water from my wakeboard, which ended up being the riser and white noise you still hear in my tracks today, very subtle but pronounced at the same time providing energy at the buildup.

What do you find feeds your creativity more, is it music from new artists, listening to your favourite tracks or attending live shows?

It’s the energy from my shows. I feed off the crowd, their energy and love of music is the best inspiration anyone could ask for. They are the true measurement of music in my opinion and I love and respect them all for the years of support that continue to provide me on this amazing journey.

We finish this interview thanking Shawn Jackson, for sharing stories about his background and his musical journey so far with us. It’s always a pleasure getting to know the artist behind the music, make sure to follow him across social media as he promises new music on the way.

Shawn Jackson Online
Beatport | Soundcloud | Instagram

The post EQ Music Interview with EDM DJ and Producer Shawn Jackson appeared first on EQ Music Blog.

Welcome to an exclusive EQ Music behind-the-scenes conversation with Terry Golden, the talented Producer shares an insightful look at his latest electrifying Progressive House release ‘Otherside.’ In this interview, Terry takes us on a journey through the creative process, in collaboration with Black Box, and talks more about the unique elements that make ‘Otherside’ a must-listen; get ready to dive into the heart of its production process as we unveil the elements that bring it to life.

Hi Terry, how are you today?
I’m feeling good, even though summer is coming to an end, there are so many exciting things happening right now, that it’s hard not to smile

Congratulations on the release of ‘Otherside’, we’d like to know, what was the inspiration behind this production?
For many years I have been a big fan of the Red Hot Chili Peppers, and in particular ‘Otherside’ has always been one of the biggest hits ever in my book. The mood of the vocals I felt matched the deep sound of Melodic Techno quite well, so that was the starting point

Since this is more of a completely new track, rather than a rework, I wanted to preserve the slightly sour universe that Red Hot Chili Peppers has, and I actually thought we succeeded quite well with that.

Can you walk us through the collaborative process of working with Black Box on ‘Otherside’? How did the collaboration come about?
I had first made a version where the original vocals were used. The idea was for the number to be used live. One day, I posted a short clip-on Instagram and Black Box (which I already knew) reached out to me to see if we should make it together.

I sent the stems to Black Box and with a few back-and-forth attempts, the magic happened. But all in all, a relatively short process, where we also got to sing in cover vocals, which, by the way, are very close to the original. So, this collab has arisen in a digital process, where we have shared stems, and customized sound etc. via video call

Could you share some insights into the creative decisions behind the vocal elements in ‘Otherside’? How do they contribute to the overall vibe of the track?
The vocals are super important, as it is the one that carries the melody in verses and structure. We have kept it very close to the original but played with the order of the words a bit. Especially in the build-up to the drop, it was important to keep the energy, and the vocals helped contribute to.

The track has a dynamic and driving beat; can you tell us about the process of crafting the rhythm and selecting the right percussion elements to enhance the energy?
We have used some African inspired beats which give the whole song a Tribal element. This, in combination with hi-hats, helps to make the otherwise rather heavy beat, light and uplifting. We have used quite a few different percussion drums to create the beat, and especially the offbeat elements have been important, precisely to keep the energy intact

What techniques did you use to achieve the powerful drop in the track? How did you balance maintaining energy while introducing new elements?
The drop is actually quite simple, where we just play with swing, and do not manipulate the sound before the synth we have used. It’s a combination of reverb, echo and some sound design that creates a slightly acidic sound. The balance is always to use the entire sound image when it needs to be extra powerful, and that is exactly what we have done in the drop

With ‘Otherside’, you’ve managed to create a track that’s both energetic and musically intricate. How do you find the right balance between complexity and dancefloor appeal?
When I make music, it’s always made for the dance floor. So, I’m super happy that you can both hear and feel it in ‘Otherside’. I always have one phrase in my mind when I produce, and that is “keep it simple”. The rule is that if a sound or effect does not add anything to the track, then it should not be there, rather than just blindly following the same recipe every time. I think that’s the way to create something unique

Your signature style is quite characteristic; how do you ensure that your unique sound comes through in each track while also keeping the production fresh and innovative?
Many thanks for the nice words, and that is of course something most producers work with. I don’t try to be stuck in doing exactly the same thing every time, but at the same time, I secure my sound by using the elements that make my sound special. It’s a combination of kick/bass and the melodic elements that are in my music, and of course it has to match the energy, tempo and quietness. It’s not something I think about a lot as such, it happens completely automatically in my creative process

Can you tell us about any challenges you faced during the production and how you overcame them?
The drop took some time to get in place, but otherwise not the big challenges. In all productions, I need a natural flow, and if it doesn’t come, then I drop the project and start another. With ‘Otherside’, it was there 100% from the start.

How would you describe ‘Otherside’ to someone who hasn’t heard it yet?
On the other hand, we have succeeded in creating a number that works both in a more lounge-oriented situation and in the club, so you can expect something that seems familiar, just served in a completely new and fresh way.

As you continue to release captivating tracks like ‘Otherside’, what can your fans and the Electronic Music community expect from your future releases and projects?

There is plenty of new music on the way. The next releases will be ‘Another Day’, on Avanti (Black Hole Recordings) and just before ADE, I will release an EP on Exx Musiz, so if you are in Amsterdam in connection with the Amsterdam Dance Event in October, you can come and hear me live at Escape Club on Friday 20 October or Generator on 21 October, I guarantee a lot of new music, and probably also ‘Otherside’.

As Terry Golden continues to craft captivating music like ‘Otherside,’ we can anticipate more innovative releases on the horizon; make sure to stay tuned to learn more about his upcoming projects and productions, as he keeps unleashing powerful and fresh tracks into the Electronic Music scene. Thank you, Terry, for sharing your creative process and insights with us today!

Listen and buy ‘Otherside’ now

https://www.beatport.com/release/otherside/4257590

Terry Golden Online

Soundcloud | Instagram | Spotify

The post EQ Music Interview with Terry Golden appeared first on EQ Music Blog.

Welcome to an insightful conversation with Cyazon, the talented Electronic music producer who’s been making waves with his unique sound and futuristic style. In this EQ Music interview, we delve into the roots of his musical journey, exploring his early influences and the artists who have shaped his distinctive style. Join us as we uncover the musical inspirations that fuel Cyazon’s creativity and learn about the unexpected sources that have helped shape his productions.

Hello Cyazon! How are you?
Hello, doing good, thank you!

Can you tell us, what was your first introduction into Electronic Music? Who initially inspired you?
My first introduction to Dance music was in 2011 when Nero released their album Welcome Reality. Skrillex was also putting out music around that time. I was also checking out the UKF Dubstep & UKF Drum&Bass YouTube channels too. I would say in 2012 is when I became more interested in Electronic music, when I discovered Krewella, Seven Lions, and similar Dubstep artists.

How would you say your musical influences have developed as you have grown as an artist?
My musical influences have evolved significantly over the years. As I described earlier, I was listening to everything. Then in 2015, I became more into the futuristic sound of Xilent and Au5. From 2022 to currently, I have been following the direction of more of an analog sound like the artists Nero and Dimension.

Do you find that there is a usually a specific element of a track that inspires you more?
Usually, the analog type of synth elements inspire me the most in a track.

What are some of your favourite genres outside of Electronic Music?
I really love listening to Ambient music when I am trying to relax. I also listen to some Rock and Indie music too.

Sometimes random sources can spark creativity, can you remember a moment when a sound or everyday experience unexpectedly influenced one of your productions?
A few unreleased tracks I’m working on were influenced by the sounds used in some songs. Nero’s tracks, ‘Two Minds’ and ‘What Does Love Mean’, and Dimension’s tracks, ‘Black Church’ and ‘Remedy’.

What do you find feeds your creativity more, is it music from new artists, listening to your favourite tracks or attending live shows?
I would say it’s more listening to my favorite tracks.

Are there any new artists or genres that you have been listening to recently?
This year I started listening to more Drum&Bass, and made more Drum&Bass, so I can release it. Although, I have heard of Dimension before, I started listening to him a lot more fairly recently, in June this year.

Do you ever find inspiration in your own personal experiences? If so, how do you integrate this into your productions?
Sometimes yes, I do have a personal experience from the past, or a current one that I can implement into the storyline of Cyazon and the music. I usually do this mainly through the lyrics, and describing what the song is about in the Cyazon stories when I release it.

Do you have an artist or genre that you enjoy listening to that might surprise fans?
I listen to an artist called Youth 83 on Spotify when I’m driving. It’s very Synthwave and dreamy sounding, so it might not be so much of a surprise to fans, but very different music. Sometimes, I’ll listen to Metal/Screamo music and Orchestral music from movie and video game soundtracks.

As our conversation with Cyazon comes to a close, we thank him for his time talking with us and sharing the influences that have guided his musical evolution. From his early encounters with Electronic music to the evolving sounds that inspire him today, Cyazon’s journey is proof of the rich influences that shape the world of music. His openness to diverse genres and unexpected sources of inspiration continues to drive his creative endeavors, making him an artist to watch as he forges his unique path in the Electronic music landscape.

Cyazon Online
Instagram | Beatport | Spotify

The post EQ Music Interview with Cyazon appeared first on EQ Music Blog.

In this EQ Music interview, we sit down with the skillful DJ and Producer, Manu P, to explore the roots of his musical journey and the influences that have shaped his career in Electronic music. From early inspirations to contemporary influences, Manu P shares insights into how his music has evolved over time; he also shares some insights about the importance of staying attuned to the changing Electronic music landscape. Join us as we learn more about this talented artist.

Hey Manu, how are you?
All good, and you?

Not to bad at all, thank you. Can you take us back to the very start, who was the first artist that inspired you to start a career within Electronic Music?
Probably then, as now, the first artists who brought me into the scene were Sven Vath, Joris Voorn, and Richie Hawtin.

Can you recall any live events that you have found particularly inspirational over the years?
Certainly, around 2010-2011, I fondly remember a performance by Sven Vath in Frankfurt when the Cocoon Club still existed. It was the day before Timewarp.

Are there any non-Electronic Music genres that you enjoy listening to that you feel have influenced your sound?
It might sound strange, but I listen to all music genres, and I like to draw inspiration from everything.

Do you find inspiration outside of music? If so, how?
Very often, I draw inspiration when I go mountain biking. When it’s just me and nature, I think about many things, and sometimes I bring those thoughts into my music.

Who are your standout artists in terms of those you find most inspirational now?
Currently, I believe that one of the most prominent artists in the Tech House scene is Mochakk. For the Melodic House/Techno scene, certainly Anyma.

Have your musical inspirations evolved as you have developed as an artist?
YES, I definitely think so. Before, I was more focused on one genre. Now, I’ve realized that if you want to be a top-notch artist, you need to understand and be able to play every facet of the Electronic genre and understand the audience you have in front of you.

How much of what you listen to affects your production style, if at all? Or do you find that your own personal music tastes are separate from the kind of music you produce?
I try to produce something similar to what I play. If I don’t like a record I produce, and I don’t play it, it can never work.

What are some of your favorite artists outside of Electronic Music?
I listen to a lot of music, but I don’t have a favorite artist.

As your style continues to evolve, do you find yourself gravitating back towards your earlier influences, or are you constantly searching for new inspiration?
It’s a mix of both. You definitely need to stay up-to-date.

As our conversation with Manu P draws to a close, we can certainly say, we’ve learned more about the musical journey of this talented DJ and producer. From his early inspirations to his current influences, Manu P’s commitment to evolving and embracing the diverse facets of Electronic music shines through. We thank his for his time and wish him the best on his upcoming projects and releases.

Manu P Online

Soundcloud | Instagram | Beatport

The post EQ Music Interview with Manu P appeared first on EQ Music Blog.

In this exclusive EQ Music interview, we delve into the musical influences that have shaped Melleefresh’s remarkable career in Electronic Dance music. From Studio 54’s disco era to contemporary K-Pop and innovative artists like Doja Cat; Melleefresh shares how a diverse range of genres and experiences have left their mark on her unique sound. Join us as we explore the evolution of her musical style and the exciting directions she’s eager to explore in the future.

Hello Mellefresh! How are you?
Just back from the UK, and feeling FRESH and energized.

What was your first musical experience that inspired you to pursue a career in Electronic Dance Music?
Going to the opening of Studio 54 in the late 70s, and hanging out for the next few years every weekend! Dancing to amazing underground, soulful, funky, decadent, Disco Dance tracks like CHIC’s ‘Le Freak’, Donna Summer’s ‘I Feel Love’, and Vicki Sue Robinson’s ‘Turn the Beat Around’. I loved dancing, but I also thought maybe I could sing songs like these, or write my own.

Early on, were there any artists or genres outside of Electronic Music that you found yourself exploring?
Because of my acting life, doing voices for cartoons and radio plays, performing on stage, in plays and musicals, Fred Astaire, Ginger Rogers, Betty Boop, ridiculous big band music was a big passion of mine. My first record, Cartoons, with John Henry Nyenhuis, was that kind of music. And the big Busby Berkley musicals in old films, for me, this style of music, has since then turned into glitch hop swing, which I continue to make with my DJ friends The SpekrFreaks. What goes around comes around.

Now that you are collaborating and producing your own music, are there any specific artists that you find particularly influential and inspiring?
Doja Cat. Her style of mashing up old songs with hip-hop rhymes. Her latest, Paint the Town Red, sampling Dionne Warwick’s ‘Walk On By’, is very inventive and totally inspiring.

Would you say that your musical influences have evolved as your own style as a Producer and Artist has developed? If so, how?
Totally. Given the fact that we now have computers, and unlimited amounts of software, and tools that allow you to do phenomenal things with your voice, from pitch shifting to Melodyne and autotune. Stepping into a recording studio is always a new and exciting vocal adventure for me.

Have there been any live events over the years that have been particularly inspiring for you? If so, could you share with us a few?
Peaches’ live event at the O2 in the UK was an orgasmic experience. She crawled through a giant condom dressed in an outfit of multiple boobs and then proceeded to crowd surf. She’s wonderful!

Last New Years, I was in Mexico City with my friends ALIXXXIMENA (CONTROLLA.) I went with them to their gig at the Japan Club, a packed underground Techno club with fabulous she-male go-go dancers. So fun, sweaty and hot!  They played my track alongside Dirty 30, ‘Your my Bitch’.

One of my more risqué adventures was attending a party under a bridge in Toronto. So random. My DJ pal Callum Magnum played at midnight. We were greeted by 1000 people, all dressed up and dancing to banging Techno Psy Trance. Callum played my tracks with Genderfluid, ‘Better Off Alone’, ‘Bitches n’ Whores’, ‘I Want you,’ ‘Be My Lover Tonight’, and ‘Love and Kisses’. People were singing along and screaming. I felt so happy to hear my tracks being played.

What are your top favourite songs currently? Do you find that these change often?
I’m loving ‘Fine Day’ by Ansifa, MKLA‘s lastest track with John Summit ‘Fade Out’, and the Ableheart track ‘Whisper’. I found him on TikTok – I love his manic energy and the song is super sexy and  I love Fisher and Aatig’s new song ‘Take it Off’, specially the lyrics, so simple and memorable, and of course my favorites change on a monthly basis

What are some of your favourite artists outside of Electronic Music?
I’m loving K-Pop girl and boy bands. I find the group vibe totally fascinating and bizarre.

How do you think that your influences have shaped your sound? Do your productions have specific characteristics that directly correlate to some of your inspirations?
Everytime I collaborate with a new producer, my sound changes. Depending on what voice I use and the character that comes out in my vocal, I will get a different vibe and that usually has to do with what I’m singing about. For example, A.D.I.D.A.S., my collab with Kardano, is very soft and whispery and has a bedroom feel about it, while Candy Cane, my Xmas track from a few years back, has a Eurotrash vibe.

Are there any genres that you enjoy listening to that you have yet to experiment with in your own sound?
I’ve done a lot of different genres and styles of music, and there are many more to explore. I’d love to do Dance music with a symphonic orchestra or mash-up Punk with House, or Country and House, all done Melleefresh style.

As your style continues to evolve, do you find yourself gravitating back towards your earlier influences or are you constantly search for new inspiration?
Always. In fact, I’m putting together an album of cover songs of tracks that have influenced me or that I value, like Banarama’s ‘Venus’, Donna Summer’s ‘Love to Love You’, and INXS’ ‘Need You Tonight’. That’ll be out in 2024.

As Melleefresh’s musical journey continues to evolve, it’s clear that her passion for exploring new sounds and genres knows no bounds. For her, it’s all about finding inspiration from a rich sonic landscape of musical influences, from Disco to K-Pop, while this allows her to keep her music fresh, vibrant, and always captivating. We look forward to her upcoming exciting endeavors in the world of Electronic Dance music and beyond, as she continues to push her own boundaries and redefine her signature sound. Stay tuned for more musical adventures from this dynamic artist.

Melleefresh Online

Website | Instagram | Soundcloud

The post EQ Music Interview with Melleefresh appeared first on EQ Music Blog.

In this exclusive EQ Music interview, we delve deep into DJ/Producer Salvione’s musical journey, exploring the artists who have shaped his distinctive sound and the unexpected sources of inspiration that have fueled his creativity. From iconic New York DJs to the serendipitous moments that ignited his passion for Electronic music, Salvione’s story is one of evolution and openness to the diverse influences that shape his sonic landscape.

Join us as we uncover the musical soundscape that defines Salvione’s artistry and drives his ongoing exploration of sound.

Hello Salvione! How are you today?

Hi! I’m doing really well. Thank you for having me

To begin, what artists or producers have had the most influence on your sound and style over the years?

Growing up in the New York City club scene I’d have to say some of New York’s finest in Danny Tenaglia and Victor Calderone. I’ve spent many nights that turned into days listening to these guys, so, to say they haven’t influenced me would be a sin.

There was a stretch of time when Guti’s live performance was my benchmark. I vividly remember losing hope in music at one point thinking everything and everyone just sounds the same, and I caught Guti at a party doing his live set, this was when he would play the keys live. I thought “What is this?!? I need more of this, I need to bring this into my music.” It was so refreshing. The grooves he creates and his musicianship have really made me want to push myself as an artist. I even have his jazz album and saw him perform it live at ADE one year. The guy is just a top talent and a big influence. No question.

I’d also have to say that Nic Fanciulli is another one. His versatility as a DJ is always something I admire. When I was living in Barcelona, summer of 2019, Nic’s Dance or Die set was on repeat every time I would run, before I hopped in the studio. I’d say that set alone really helped shape what my current sound has become.

Was there a specific song or musical work that you heard early on in your musical journey that sparked your initial passion for Electronic Music?

Yeah, I remember my very first night out. Keep in mind; I was more into Hip Hop and Pop as a teenager. It was Jonathan Peters’ Birthday event at the Tropicana, and during his set, he played an acapella version of ‘I Feel Love’ by Donna Summer layered over another track. I distinctly recall him stripping away all the elements, leaving just the vocal, and the crowd went absolutely wild. In that moment, I thought, ‘Wow, this is incredible! I need more of this in my life,’ and the rest is history.

How have your influences changed throughout your musical career?

Throughout my musical journey, my influences have undergone an interesting evolution. Initially, I was heavily immersed in the progressive New York sound and was inspired by those bigger New York DJs at the time like Danny Tenaglia, Victor Calderone, and Jonathan Peters. However, as the Electronic music scene expanded globally and international talent became more accessible in New York, my musical horizons broadened. I witnessed shifts from the Deep House vibes of 2013 to a more Tech House-oriented sound. But one thing has remained constant: my appreciation for good music regardless of genre. I find inspiration in everything, whether it’s a Minimal track, a Techno groove, or any other form of musical expression. The beauty of music is its ability to transcend boundaries, and I’m always eager to explore and draw inspiration from diverse sources.

Your music often blends elements from various genres. Could you share a few non-Electronic artists or genres that have impacted your sound?

Funk and Soul, with their irresistible grooves and soulful vocals, have been a significant influence on my music. These elements resonate deeply with my musical soul. Moreover, the Hip-Hop and R&B genres, which shaped my formative years and continue to inspire me today, have left an indelible mark on my sound. Sometimes, it’s an entire track that sparks my creative drive, while at other times, it’s specific samples within a song that ignite my inspiration. I find myself on a musical treasure hunt, tracking down these gems and weaving them into my own sonic narrative.

Do you find yourself actively seeking new artists and sounds as your production style evolves?

I don’t actively go hunting down new artists but I listen to a lot of different styles. I’m exposed to a lot of different music, and if I hear something new that I like, I will go down the rabbit hole of their collection or of a genre.

Recently, I was reading ‘Greenlights’ by Matthew McConaughey (by the way, it’s a fantastic book, highly recommend it). In the book, McConaughey gushed about his love for African blues artist Ali Farka Toure. His passion was so contagious that I thought, ‘Why not give this a shot?’ I listened to Toure’s music, and it just clicked. I found myself delving deep into his albums. Nowadays, his rhythms and sounds are a regular source of inspiration for me.

So, in a way, I let new artists and sounds come to me rather than actively seeking them out. It’s all about staying open to what music has to offer.

What DJs and Producers have you been listening to recently? Are there any newcomers to the scene that have sparked inspiration for you?

I’ve got to say, lately, I’ve been absolutely loving Anotr. Their sound is like a breath of fresh air. You know how Funk and Soul vibes resonate with me, and watching how they weave those elements into their music has been a constant source of inspiration. Actually, caught them live at DC10 during Solid Grooves, and they absolutely tore the place up. Can’t wait to see them again at ADE.

Now, let’s talk about some newcomers who’ve been lighting up the scene – Truth X Lies. They’re bringing in a sound that’s different and it’s fun. Honestly, everything they have touched has been on fire lately plus, they’re great guys.

I wouldn’t necessarily label RSquared as newcomers, at least not from my perspective, because I’ve been following their productions for a while. However, right now, they’re really taking off, and it’s well-deserved. Their sound is unique, fun, funky, and groovy. Iglesias has been in the scene for a bit, particularly with Woodlands, and I’m currently vibing with his music too.

When it comes to your productions, do you ever draw inspiration from experiences outside of music, such as films, art, or literature?

Absolutely, inspiration comes to me from all sorts of places beyond the music world. I’ve got this thing for documentaries, especially those exploring music. They’re like gold mines for spoken word samples. Whenever I hear a captivating quote or dialogue, I snap a quick pic of the TV screen or jot down the time and what was said – it’s like collecting these creative nuggets.

Books are another source of musical inspiration. Sometimes, when an author mentions a certain artist or song, it sparks my curiosity, leading me on a whole new musical journey as I mentioned before.

And living in New York is a constant source of inspiration. The bustling streets, diverse people, talented subway performers, and vibrant street art scenes – it’s like being in a perpetual state of creative buzz. If you’re open to it, the city offers an endless well of ideas, and I’m all in for the experience.

Over the years, how have you found your musical influences – is it from actively searching or has it been more of natural process?

Over the years, my journey of discovering musical influences has truly been an organic and natural process, much like the captivating Ali Farka Toure story I shared earlier.

You see, I’ve always believed that the best inspiration often comes when you least expect it. I’m not one to embark on intensive, deliberate searches for new artists or sounds. Instead, I prefer to remain open to the musical universe, embracing it as it naturally comes my way.

As you continue developing your sound, are there any genres that you have yet to explore that you would like to experiment with integrating into your sound?

You never really know what might spark the next phase of my musical journey. But off the top of my head, I’ve been intrigued by the idea of diving into a bit of Folk Rock. I recently watched a documentary about the artist Rodriguez called ‘Searching for Sugar Man,’ and his story blew me away! It’s such an incredible tale that I feel like I might have to explore his music for inspiration.

Of course, beyond that, it’s always a surprise where my musical path will lead. I believe the best music often comes to you when you’re not looking for it.

As we conclude our journey through the musical influences and creative inspirations that have shaped Salvione’s remarkable career, one thing becomes clear: his openness to the unexpected, and his driving passion for music continue to guide his evolution as an artist. From the iconic sounds of New York to the captivating narratives found in documentaries and literature, Salvione’s ability to draw inspiration from the world around him is evidence to the boundless nature of creativity. We look forward to witnessing the exciting directions his music will take, as he remains open to new and vibrant influences that define his signature style.

Salvione Online

Beatport | Soundcloud | Instagram

The post EQ Music Interview with Salvione appeared first on EQ Music Blog.

We sat down with Clan Brude, the talented and genre-blurring music producer known for his dynamic and ever-evolving sound. Throughout this conversation, Clan Brude shares insights into his musical journey, highlighting the influences that have played an important role in shaping his distinctive approach to music production.

From his early encounters with electronic music, to having played with a punk band, and his recent relocation to Amsterdam, this interview offers an intimate exploration of the musical inspirations that drive Clan Brude’s creativity and sound.

Hi Clan Brude! How are you?
All great thanks. I’ve just made the move from Shanghai to Amsterdam. Shanghai isn’t an easy place to leave as it has a lot of good stuff happening musically, but very excited to be in Amsterdam now.

Can you remember, what was the first Electronic Music song that you heard
that initially sparked your creative curiosity?
Yes! The Prodigy’s “Out of Space” was the first track I bought (CD single I believe) but I also fondly recall earlier tracks such as Voodoo People on Music for the Jilted Generation. I was a bit too young to experience the whole rave scene though (sadly). My musical tastes developed after that and morphed into later 90s drum and bass, particular during my time in Bristol across that period where I spent a fair bit of time in Lakota.

Over the years, how have you found your musical influences – is it from actively searching or has it been more of natural process?
Mixed sources. Nowadays Spotify throws out a lot of leads, as does Beatport, but a really great source is my musically inclined friends who send me all kinds of weird and wonderful oddities, some current and some from the past. I do go to a lot of gigs as well, which helps with learning about both newer and older acts and how they are expressing their music live.

What are your favourite genres outside of Electronic Music?
I love the rebelliousness of Punk and what it stands for (I have played in one or two Punk bands on bass). I always try and catch punk gigs where possible as well as other gigs. I’m happy with a lot of genres in fact providing the energy is there. I have also been to some great Jazz gigs, which have been great for that reason.

When it comes to your productions, do you ever draw inspiration from experiences outside of music, such as films, art, or literature?
Great question. I tend to actually draw from life experiences as opposed to other artforms. For instance, my upcoming EP, ‘Temporary Places’ draws on my experiences during the 2022 Shanghai lockdown and a lot of my music has been inspired by travels in general.

What are you listening to currently? Are there any newcomers to the Electronic Music scene that you find particularly inspiring?
Not so much a newcomer but a superstar now, Fred Again, who does an incredible live show. His tracks emanate emotion in a variety of ways which definitely connects with me as it does with a lot of people. Honey Dijon’s last album was great with lots of nods to old school House and Techno (again not strictly a new comer though). Building on that, is perhaps Peggy Gou who dives into those Disco and House-y grooves.

What are your top 3 desert island records?
I always think about quantity or length for these kinds of questions so as to maximise what I have to listen to! The Beatles’ White album for sure would fit that. Not only is it a double album, it’s so eclectic for one band. I would need some DnB I think, so perhaps Goldie’s seminal Timeless. Finally, I’m going to go back to Punk and choose NOFX’s the Decline, a great call to arms epic piece of work that doesn’t get tired (if you like that kind of thing of course).

How would you say your inspirations and influences impact your production style?
There is definitely an impact there. I find I pick up ideas for beats all the time through just listening to tracks at leisure. For more specific techniques, I find YouTube a good source, and it doesn’t really matter how long I’ve been producing there is always more to learn both in production techniques and music theory. For instance, I recently came across the idea of having a 5th note drone (which could even be a vocal clip) that carries through the chord progression. This can definitely up the emotive appeal.

As your sound continues to evolve, do you find yourself gravitating back towards your early influences or are you constantly search for new music and inspirations?
More the latter, I think. I find myself seeking out newer sounds and influences that can enhance my music. This helps in sounding current and progressing with a signature sound that perhaps people haven’t heard that much before.

Do you have an artist or genre that you enjoy listening to that might surprise fans?
I think making Electronic music doesn’t mean you are defined by that genre or sub-genre or sub-sub-genre. As mentioned, I’ve played in Punk bands, which might surprise fans of my House and Progressive-House productions, but I don’t think that’s a totally unusually progression, think Calibre/Skrillex etc, who have background in disruptive guitar music.

In this EQ Music interview, Clan Brude has generously shared a glimpse into the diverse soundscape of influences that have fueled his musical journey. From iconic tracks like The Prodigy’s “Out of Space” to the rebellious spirit of Punk, his musical palette is proof of the richness of artistic inspiration. As he continues to evolve his sound and explore new musical horizons, we look forward to the exciting musical
experiences that Clan Brude will continue to craft for his listeners.

Clan Brude Online
Website | Beatport | Instagram

The post EQ Music Interview: Clan Brude appeared first on EQ Music Blog.

Today, we have the pleasure of sitting down with Meetch, an emerging talent in EDM. In this exclusive interview, we’ll talk and explore the musical influences and experiences that have played a major role in shaping Meetch’s unique production style and musical journey; going from pop-punk, emo to dance music and productions from the likes of Madeon and Zedd, Meetch shaes a glimpse into the music that influences him. So, without further ado, this is what he said.

Hey Meetch! How are you?
Very good! Thanks for having me take part in this interview!

Tell us, which artists would say have had the most influential impact on your production style.
Two of my favorite artists are Zedd & Madeon. I have loved Zedd’s electro-house years back and Madeon has this electro disco sound that I have always enjoyed. His live shows are insanely good.

Which genres, outside of Electronic Music do you enjoy exploring and listening to?
I love metal and pop-punk music. I really just love rock-n-roll in all forms. But honestly, my emo phase never went away.

Do you ever find inspiration from sources outside of music, such as films, art, or literature?
Well, I do love movies a lot and always love to see a brand-new horror film or physiological thriller. There are moments in movies where the music and effects and change the vibe of the scene in a split second, I always wanted to make a big show of mine have a horror touch to it. I want to use cinematic effects within songs and transitions to shift the vibe within a setlist. Whether it’s a genre change or a tempo
change, I really like to imagine I’m going to figure out something epic eventually in melding the two!

How have your musical inspirations changed as you have evolved as an artist?
Well, there is just so much good music and so many artists, that it’s fun to explore and see new tracks that are coming out. I wouldn’t say the inspirations changed, because that’s what I always loved, and those artists have adapted to the more popular music trends and I like to hear the old sounds still be a part of their new music. Zedd, for example, still uses a lot of electro-house elements in his music even though it’s a lot more radio and mainstream.

Do you ever take inspiration from your own personal experiences? If so, how do you integrate this into your productions?
I like to inspire myself by thinking of all of the years I’ve been performing, and doing shows and look back at them comparing it to what I do now. I really have seen some insane progress in myself and that’s the type of thoughts and experiences that inspire me.

Can you recall any live events over the years that have been particularly inspiring for you? If so, could you share with us a few and why you found them to be so memorable?
There have been many, many incredible shows I’ve played over the years. There was one venue in NYC called Amazura Music Hall and that has been my ultimate favorite venue to play at. That was my first really big stage, and once I played there once, I started to get booked there multiple other times. Each time, the crowd was massive and the show was great. Another memorable experience was all of the boat
parties I played on before moving to Los Angeles. I have always had good crowd control on those and get people excited. One of my biggest boat shows, I got the entire boat to sit down as the song built up and when it dropped, the crowd went crazy. The best thing, is that I have video of that!

How do you think that your influences shape your sound?
Well, since I still love going to rock shows, I really want to blend together dance music and rock. I know a lot of artists do that already, but I want to find something new that people won’t expect. During my shows, I always throw in some older popular throwback emo songs and the crowd ALWAYS sings along and goes crazy. So, I definitely have an area that I need to tap into a little more for sure.

Many artists have a “guilty pleasure” genre or artist that they secretly enjoy. Are you brave enough to share with us yours?
I would just say that pop-punk and screamo are definitely my top genres of music.

Are there any standout albums that have been particularly influential to you over the course of your musical journey?
“True Colors” by Zedd, was my favorite album. I remember I got as a CD for a stocking stuffer during Christmas. So many good songs on that album and I think my favorite part is how the song, Bumble Bee, was a switch and huge Electro-House track like his old stuff. Zedd is still one of my top favorite artists because I love how he keeps the Electro-House elements in almost all of his music now.

We finish this interview, thanking Meetch for his time and openess sharing some of the names and genres that have helped shape his signature style and sound; and as he keeps exploring and experimenting with music, one thing’s sure, he’ll continue conquering new dancefloors and stages with his unique style and powerful talent, so make sure to follow him across social media to remain updated on his latest projects and adventures.

Meetch Online
Links | Spotify | Instagram

The post EQ Music Interview: Meetch appeared first on EQ Music Blog.

Join us as we delve into an insightful conversation with the talented DJ and Producer, Tony Kay. With his passion for music ignited at a young age, and his unique musical journey that spans across genres and influences, Tony Kay presents himself as a rising star in the Electronic music world. In this interview, we talk and explore his musical roots, influences, and the diverse sources of inspiration that
shape his distinctive sound. Get ready to learn more about the musical journey of Tony Kay, as well as, some of his favorite music.

Hi Tony! How are you today?
I’m doing good, thanks for asking.

Can you remember, who was the first Electronic Music artist you listened to? Was there one artist that you happened upon that was influential in sparking your passion for the genre?
I remember vividly the first time I ever heard Electronic music and it felt magical. A different sound to what I have known and used to hearing. Since I was a kid, music in general, was a big part of my life, with Hip Hop and Rap from the early 2000s to EDM and House music. There isn’t one artist or even a song that sparked my passion for House music. It’s more of a journey through the spectrum of Dance
music. From there I progressively gravitated towards Tech House and developed my own sound and style.

How have your musical influences evolved over the years? Have you found yourself finding inspiration from a range of different genres?
I’m from Marrakesh Morocco, grew up with Hip Hop/Rap music and then discovered House music. At a very young age, I enjoyed the club scene; the energy and the vibe are immaculate, I don’t have a set of words to describe it. It’s the euphoric feeling that pushed me to follow this path of Electronic music, I just want to make people smile and have a good time as they dance the night away. That is where I find inspiration from, my journey as a fan of this genre, to an Electronic music producer. I think people like Tony Kay and enjoy my music because I really do my own thing, not trying to be anybody else.

Is there one sub-genre within Electronic Music that you tend to gravitate towards when it comes to your own listening habits and finding music that inspires you creatively?
It’s important to have a creative state of mind, to not be afraid to try new things, and to not just follow the current trend. I do like to listen to music from different cultural backgrounds, more so my roots, and try to distinguish all the different instruments that are played. From drums to strings, various percussions and everything in- between, that gives me a much broader perspective on music as a whole.

Many artists have a “guilty pleasure” genre or artist that they secretly enjoy. Would you be able to share yours with us now?
My guilty pleasure is Hip Hop and Rap music from the 90s to early 2000s. From Eminem to 50 Cent and 2 Pac, that is the pinnacle of Rap music nothing compared to what is out nowadays.

How much of your sound is influenced by other experiences outside of music, if at all?
My sound is influenced by my background and experiences and the end result is a diverse blend of rhythms and genres. There’s always that Tech House groove with other elements integrated, a clear mood that I want to convey, all well balanced that create a cohesive track. It’s a non-traditional approach to music production. At the end of the day, I stay true to myself and my musical vision, being as authentic as I can.

As your style continues to evolve, are there any genres that you find inspiring that you wish to experiment integrating into your own productions?
I’m not so sure about genres but I have many inspiring elements looking to experiment with. My style encapsulates an approach to challenging norms within the music industry, with a sound from a unique blend of Techno and House. It’s a style that not only sets me apart, but also serves as a testament to my creative freedom. For me, Electronic music production is an expression. It’s really something special to
being able to create these feelings and energies then share it out with the world; delivering an immersive sonic experience.

What do you find feeds your creativity more, is it music from new artists, listening to your favourite tracks or attending live shows?
Attending live shows feeds my creativity and also get to feel the artist’s energy. It’s also a time for me to get to enjoy the Electronic music scene and be on the other side of the decks.

Are you a creature of habit when it comes to your listening tastes, or do you find yourself actively seeking out new music for inspiration?
I have lived in different corners of the world, experiencing various cultures and ways of life. Drawing inspiration from diverse cultures and genres, my musical journey is an exploration of sonic possibilities that transcends borders. I try to push the limits with boundary-pushing productions. I blend diverse rhythms and genres with a distinct signature style, which ultimately resonates with a universal audience and transcending geographical boundaries.

Sometimes inspiration can come from random sources, has there been a moment where an everyday experience or sound has unexpectedly influenced the production of one of your tracks?
My creative process is the same, I usually have a melody or rhythm in my head or written on my phone notes. Other times, I hear a vocal and start to get creative ideas from it. It just depends, and honestly, I try to not get too attached on the initial idea especially during the early stages, knowing that it will likely evolve and change. I have an attention to detail and love for music production which encourages an
immersion in rhythmic explorations.

Wrapping up this interview, we’d like to thank Tony Kay for sharing his story and experiences with us. His journey through the world of Electronic Music is marked by his commitment to authenticity, and his diverse musical influences display a refreshing perspective on the genre and his journey so far, and, as he continues to evolve and experiment within the realm of Electronic Dance music, his uniqueness and passion for music sets him apart from his peers, paving his way to the top of the list of artists to follow closely.

Tony Kay Online
Instagram | Soundcloud | Beatport

The post EQ Music Interview: Tony Kay appeared first on EQ Music Blog.